- Bare Trees Fleetwood Mac
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- Fleetwood Mac Bare Trees Vinyl
Arguably the first consistently strong album Fleetwood Mac ever recorded - all the way back into the Peter Green/Jeremy Spencer era, the Mac's albums had previously consisted of individual moments of brilliance in a sea of uninspired filler - 1972's Bare Trees is also the album where the band finally defines its post-blues musical personality. Low-key but less narcoleptically mellow than. Nov 21, 2015. Listen free to Fleetwood Mac – Bare Trees (Child of Mine, The Ghost and more). 10 tracks (36:58). Arguably the first consistently strong album Fleetwood Mac ever recorded - all the way back into the Peter Green/Jeremy Spencer era, the Mac's albums had previously consisted of individual moments of brilliance in a sea of uninspired filler - 1972's Bare Trees is also the album where.
Bare Trees | ||||
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Studio album by | ||||
Released | March 1972 | |||
Recorded | 1971–1972 | |||
Studio | De Lane Lea Music Centre, Wembley, London (apart from track 10, recorded at Mrs Scarrott's home in Hampshire) | |||
Genre | Rock, soft rock | |||
Length | 36:58 | |||
Label | Reprise | |||
Producer | Fleetwood Mac | |||
Fleetwood Mac chronology | ||||
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Bare Trees is the sixth studio album by British-American rock band Fleetwood Mac, released in March 1972. This is their last album to feature Danny Kirwan, who was fired during the album's supporting tour. In the wake of the band's success in the mid-1970s, Bare Trees peaked at number 70 on US Billboard 200 chart.[1] The album was certified platinum by the Recording Industry Association of America (RIAA) in 1988.[2]
![Fleetwood Mac Bare Trees Download Fleetwood Mac Bare Trees Download](/uploads/1/2/6/7/126761957/535146435.png)
Mick Fleetwood was particularly impressed with Kirwan's contributions to the album. 'It's a well-rounded album. Like Lindsey, Danny had the chops with layering techniques, and the ability to know what's right and wrong in the studio.'[3]
Track notes[edit]
'Child of Mine' alludes to Kirwan's biological father not having been part of his life (Kirwan was his stepfather's surname). 'The Ghost' was later re-recorded by Bob Welch for His Fleetwood Mac Years and Beyond, Vol. 2 in 2006, albeit this version was only available on the digital edition. 'Homeward Bound' alludes to Christine McVie's then dislike of flying and touring, also alluded to in her 1997 track Temporary One. 'Sunny Side of Heaven' was an instrumental, which, at the time, was mixed in with some radio station sign-offs.[citation needed] The piece was also performed with Lindsey Buckingham on guitar for some shows in the mid 1970s.[4]
'Bare Trees' shares a theme both with the album's cover photography by John McVie and the closing poem 'Thoughts On a Grey Day'Sentimental Lady' was released as a single. It was later re-recorded by its composer Bob Welch (with Mick Fleetwood, Christine McVie, and Lindsey Buckingham backing him) for his solo album French Kiss. Welch would record the song again for His Fleetwood Mac Years & Beyond in 2003. 'Danny's Chant' features the use of wah-wah guitars. The title is somewhat ironic in that the track is largely an instrumental, although it does have rhythmic, non-verbal backing vocals in the mix.
'Spare Me a Little of Your Love' became a staple of the band's live act from 1972–1977. It was also covered by Johnny Rivers on his studio album New Lovers and Old Friends in 1975. Jackie DeShannon recorded a version for her 1972 album Jackie although this did not make the final cut and was not released until 2015. The lyrics for 'Dust' were taken from a poem about death written by Rupert Brooke in 1910.[5] Unlike W H Davies who received a credit for the words to Dragonfly, Brooke was not credited here as his copyright had expired.
The final track on the album, 'Thoughts on a Grey Day', is not a Fleetwood Mac song, but a monaural recorded poem written and supposedly read by an elderly woman, Mrs. Scarrott, who lived near the band's communal home, 'Benifold', in southern England. Bob Welch, however, said in a Penguin Q&A in 1999, 'The spoken thing Mick does about 'Trees so bare' was written, I think, by this sweet old lady that lived near Benifold ... Mick did an affectionate 'schtick' on her to close the album.'[6]
Five of the ten tracks were penned by Kirwan. 'Trinity', another Kirwan song recorded at the sessions, was subsequently released in 1992 on the 25 Years – The Chain box set.
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Creem | B+[8] |
Rolling Stone | (favourable)[9] |
Commercial performance[edit]
Bare Trees debuted at number 175 on US Billboard 200 chart dated 22 April 1972.[10] The album reached its peak at number 70 on the chart dated 3 June 1972, after being on the chart for seven weeks.[11] The album ultimately spent a total of 27 weeks on the chart.[12] On 9 February 1988, the album was certified platinum by the Recording Industry Association of America (RIAA) for sales of over a million copies in the United States.[13]
Track listing[edit]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | 'Child of Mine' | Danny Kirwan | 5:09 |
2. | 'The Ghost' | Bob Welch | 3:58 |
3. | 'Homeward Bound' | Christine McVie | 3:20 |
4. | 'Sunny Side of Heaven' | Kirwan | 3:10 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | 'Bare Trees' | Kirwan | 5:02 |
2. | 'Sentimental Lady' | Welch | 4:35 |
3. | 'Danny's Chant' | Kirwan | 3:16 |
4. | 'Spare Me a Little of Your Love' | C. McVie | 3:44 |
5. | 'Dust' | Kirwan | 2:41 |
6. | 'Thoughts on a Grey Day' | Mrs. Scarrott | 1:46 |
Personnel[edit]
Fleetwood Mac
- Danny Kirwan – lead guitar, vocals
- Bob Welch – rhythm guitar, vocals
- Christine McVie – keyboards, vocals
- John McVie – bass guitar
- Mick Fleetwood – drums, percussion
Additional personnel
Bare Trees Fleetwood Mac
![Bare Trees - Fleetwood Mac Bare Trees - Fleetwood Mac](/uploads/1/2/6/7/126761957/934476544.jpg)
- 'Special thanks to Mrs Scarrott for her readings, recorded at her home in Hampshire.'
Production
- Producer: Fleetwood Mac
- Engineer: Martin Birch
- Remix engineer: Bob Hughes
- Remastering: Lee Herschberg
- Cover photo by John McVie
- Recorded at DeLane Lea Music Centre
- Remixed at Record Plant Studios
Charts[edit]
Weekly charts[edit]
Chart (1972) | Position |
---|---|
Australian Kent Music Report[14] | 37 |
US Billboard 200[15] | 70 |
Certifications[edit]
Album Bare Trees, Fleetwood Mac | Qobuz: Download And ...
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA)[16] | Platinum | 1,000,000^ |
*sales figures based on certification alone ^shipments figures based on certification alone |
References[edit]
- ^'Billboard Chart History - Fleetwood Mac'. Retrieved 1 March 2020.
- ^'RIAA Certifications - Fleetwood Mac'. Retrieved 1 March 2020.
- ^Farber, Jim. 'Fleetwood Mac's Forgotten Hero'. Music Aficionado. Retrieved 26 March 2017.
- ^Doerschuk, Bob. 'From the Archive: Christine McVie'. KeyboardMag. Retrieved 30 October 2019.
- ^Dust By Rupert Brooke
- ^'The Penguin Q&A Sessions: Bob Welch, November 8–21, 1999'. The Penguin. 21 November 1999. Archived from the original on 10 January 2007. Retrieved 21 November 2018.
- ^Mason, Stewart. 'Bare Trees – Fleetwood Mac'. Allmusic. Archived from the original on 16 January 2012. Retrieved 25 December 2006.
- ^Christgau, Robert (August 1972). 'The Christgau Consumer Guide'. Creem. Retrieved 19 January 2018.
- ^Scoppa, Bud (8 June 1972). 'Fleetwood Mac Bare Trees > Album Review'. Rolling Stone (110). Archived from the original on 7 September 2008. Retrieved 16 January 2012.
- ^'Billboard 200 - April 22, 1972'. Retrieved 1 March 2020.
- ^'Billboard 200 - June 3, 1972'. Retrieved 1 March 2020.
- ^'Billboard Chart History - Fleetwood Mac'. Retrieved 1 March 2020.
- ^'RIAA Certifications - Fleetwood Mac'. Retrieved 1 March 2020.
- ^Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN0-646-11917-6.
- ^'Allmusic: Bare Trees : Charts & Awards: Billboard Albums'. allmusic.com. Retrieved 1 May 2014.
- ^'American album certifications – Fleetwood Mac – Bare Trees'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
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Fleetwood Mac Bare Trees Vinyl
Fleetwood Mac
The Fleetwood Mac story is an episodic saga that spans more than 30 years. It is the saga of a British blues band formed in 1967 that became a California-based pop group in the mid-Seventies. In between came a period where Fleetwood Mac shuffled personnel and experimented with styles, all the while releasing solid albums that found a loyal core audience. Despite all the changes, two members have remained constant over the years: drummer Mick Fleetwood and bassist John McVie, whose surnames provided the group name Fleetwood Mac. Though most rock fans are familiar with the lineup that includes Lindsey Buckingham and Stevie Nicks-by far the longest-running edition of the band, responsible for the classic albums Fleetwood Mac and Rumours-the group possesses a rich and storied history that predates those epics. Earlier Fleetwood Mac lineups included guitarists Peter Green, Jeremy Spencer, Danny Kirwan and Bob Welch. Fleetwood Mac when Green, Fleetwood and McVie, who were all expatriates from British bandleader John Mayall’s Bluesbreakers, decided to form a band. McVie and Fleetwood had been playing with Mayall, a British blues legend, since 1963 and 1965, respectively, while Green replaced Eric Clapton (who exited to form Cream) in 1966. Initially a quartet, the original Fleetwood Mac also included guitarist Jeremy Spencer and then expanded with the addition of Danny Kirwan prior to their second album. Not surprisingly, the group’s first two U.K. albums-Fleetwood Mac (1967) and Mr. Wonderful (1967)-were heavily blues-oriented. “Black Magic Woman,” a Peter Green song from the latter album, later became a major hit for Santana. In 1969, Fleetwood Mac recorded at Chess studios with American blues musicians, including Willie Dixon and Otis Span; it was released as the two-volume Blues Jam in the U.K. and as Fleetwood Mac in Chicago in the U.S. By decade’s end, however, Fleetwood Mac had begun moving from traditional blues to a more progressive approach. Around this time, the group adopted its distinctive “penguin” logo, based on zoo-lover and amateur photographer McVie’s interest in the birds. There are arguably three “definitive” Fleetwood Mac lineups. One of them is the blues-oriented band of the late Sixties, which arrayed three guitarists (Green, Spencer and Kirwan) around the rhythm section of Fleetwood and McVie. They are best represented by 1969’s Then Play On, a milestone in progressive blues-rock. After Green’s exodus in mid-1970, the remaining members cut the more easygoing, rock and roll-oriented Kiln House. Early in 1971, a born-again Spencer abruptly left the band during a U.S. tour to join the Children of God. The second key configuration found Fleetwood, McVie and Kirwan joined by keyboardist Christine McVie (born Christine Perfect, she’d married bassist McVie) and guitarist Bob Welch, a Southern Californian who became the group’s first American member and a harbinger of new directions. This configuration produced a pair of ethereal pop masterpieces, Future Games (1971) and Bare Trees (1972). Kirwan, who was having personal problems, was asked to leave in August 1972. The remaining foursome, joined by new recruits Dave Walker (vocals) and Bob Weston, recorded Penguin (1973); sans Walker, they cut Mystery to Me (1974). Again reduced to a quartet with Weston’s departure, they released Heroes Are Hard to Find later that same year. Finally, the platinum edition of Fleetwood Mac came together in 1975 with the recruitment of Lindsey Buckingham and Stevie Nicks. The San Francisco duo had previously cut an album together as Buckingham-Nicks. Drummer Fleetwood heard a tape of theirs at a studio he was auditioning, and the pair were drafted into the group without so much as a formal audition. This lineup proved far and away to be Fleetwood Mac’s most durable and successful. In addition to the most solid rhythm section in rock, this classic lineup contained strong vocalists and songwriters in Buckingham, Nicks and Christine McVie. Male and female points of view were offered with unusual candor on the watershed albums Fleetwood Mac (1975) and Rumours (1977). Fleetwood Mac introduced the revitalized group with such sparkling tracks as “Over My Head,” Fleetwood Mac’s first-ever Top Forty single; “Rhiannon,” which became Nicks’ signature song; “Say You Love Me,” which showed of the group’s three-part harmonies; and “Monday Morning,” the driving album opener and FM-radio favorite. Rumours was written and recorded as three long-term relationships-between Buckingham and Nicks, the married McVies, and Fleetwood and his wife-publicly unraveled. The album is a virtual document of romantic turmoil, and its timing reflected the interpersonal upheavals of the liberated Seventies. Resonating with a mass audience like no other album in rock history, Rumours yielded a bumper crop of songs with enduring appeal, among them the Top Ten hits “Go Your Own Way,” “Dreams,” “Don’t Stop” and “You Make Loving Fun.” Fleetwood Mac toured for seven months behind Rumours and reigned as the most popular group in the world. Rumours has to date sold 18 million copies, making it the fifth best-selling album of all time. As a group, Fleetwood Mac has sold more than 70 million albums since its inception in 1967. Under the creative guidance of Lindsey Buckingham, whose skill as a producer and pop visionary became increasingly evident-Fleetwood Mac grew more emboldened with the double album Tusk, released in 1979. A more experimental album, Tusk didn’t match its predecessors sales, but it did earn two more Top Ten hits-'Sara' and “Tusk'-while extending the group’s longevity by forswearing formulas. Solo careers commenced during the three-year layoff that followed another extensive tour. Stevie Nicks, in particular, nurtured a career that rivaled Fleetwood Mac’s for popularity. Fleetwood Mac released two studio albums in the Eighties-Mirage (1982) and Tango in the Night (1987)-but its front-line members were increasingly drawn to their solo careers. Disinclined to tour, Buckingham announced he was leaving Fleetwood Mac shortly after Tango in the Night. He was replaced by guitarists Billy Burnette and Rick Vito, who appeared on the 1990 album Behind the Mask. Eventually, both Nicks and Christine McVie revealed they, too, would no longer tour with Fleetwood Mac. Nicks officially left the band a month after Fleetwood Mac regrouped to perform “Don’t Stop” at President Bill Clinton’s inauguration in January 1993. The indefatigable core of Fleetwood and the McVies recruited guitarist Dave Mason and singer Bekka Bramlett, but the proverbial link in Fleetwood Mac’s chain had been broken one too many times and this lineup’s one album, Time (1995), fared poorly. Then, in 1997, Fleetwood Mac’s classic lineup set aside their differences for a reunion that marked the 30th anniversary of the original group’s founding and the 20th anniversary of Rumours’ release. A concert was filmed for an MTV special and saw release on video and audio formats as The Dance, which found the group revisiting old material and premiering new songs. A full-fledged reunion tour followed.